Saturday, December 19, 2009

AVATAR,,A $300 MILLION DOLLAR TITANIC THAT SINKS



Again the public is sucked in to what I consider the biggest waste of my life.Beware, this is far from what this idiot on the Los Angeles Times states is the remaking of movies. How dare him compare this to the jazz singer and what impact it had on movies.The story line is embarassingly absurd and mabye five actors in the movie (including Alien star Sjourney Weaver, who comes across as a male stuck in a females body and in fact, looks more like an alien than the aliens portrayed in this nightmare), and the standard guy falls for girl story line with the bad guy being a colonel doing this job.This plot has been seen a zillion times in movies when the soldiers take over Indians land to get gold and in this farce, the aliens also have nothing but bows and arrows (how original).I almost walked out ten times and Ive seen better porn movies for twenty dollars. I walked out before the end (two hours and forty minutes) and am mad that once again, we are misled by some stupid journalist (I have a masters in journalism myself) and equally sad with the recession; people will be flooding the theaters to only be robbed of money they could have bought food with it.This is a complete sham and if you look at all the movies this cameron made, they all are remakes and horrible. God bless america but god will not bless the guy who gave this a great review for he simply must be related to cameron, for again, watch the boy in the striped pajamas or the nail, story of joey nardone;both movies with character and you will leave the movie with your mind entertained with humanity and not walk out after seeing avatar like you have been raped.

wizofbeach (12/18/2009)

Sunday, October 25, 2009

WHAT I DO WITH MY TIME BEING AN OLD FOLK














Working people frequently ask retired people what they do to make their days interesting. Well, for example, the other day my wife and I went into town and went into a shop. We were only in there for about 5 minutes.

When we came out, there was a cop writing out a parking ticket. We went up to him and said, 'Come on man, how about giving a senior citizen a break?'

He ignored us and continued writing the ticket.

I called him a Nazi turd.

He glared at me and started writing another ticket for having worn tyres+. So my wife called him a shit-head.

He finished the second ticket and put it on the windshield with the first.

Then he started writing a third ticket.

This went on for about 20 minutes.

The more we abused him, the more tickets he wrote.

Personally, we didn't care. We came into town by bus.

We try to have a little fun each day now that we're retired. It's important at our age.

JUDY GARLAND AND THE TAX MAN COMETH


Judy, Judy, Judy: The divine Miss Garland lived out of hotels after admitting she owed more than $4 million in arrears. When the taxman came knocking in 1967, the financially troubled songbird might have hummed a few bars of 'I Can't Give You Anything but Love

Thursday, October 1, 2009

MEET YOUR ANCESTOR OF 4.4 MILLION YEARS AGO


A treasure trove of 4.4-million-year-old fossils from the Ethiopian desert is dramatically overturning widely held ideas about the early evolution of humans and how they came to walk upright, even as it paints a remarkably detailed picture of early life in Africa, researchers reported today.

The centerpiece of the diverse collection of primate, animal and plant fossils is the near-complete skeleton of a human ancestor that demonstrates our earliest forebears looked nothing like a chimpanzee or other large primate, as is now commonly believed. Instead, the findings suggest that the last common ancestor of humans and primates, which existed nearly 2 million years earlier, was a primitive creature that shared few traits with modern-day members of either group.

The findings, analyzed in a large group of studies published today in the journal Science, also indicate that our ancestors began walking upright in woodlands, not on grassy savannas as prior generations of researchers had speculated.

The discovery of the specimen called Ardipithecus ramidus "is one of the most important discoveries for the study of human evolution," said paleoanthropologist David Pilbeam of Harvard University, who was not involved in the research. "The find itself is extraordinary, as were the enormous labors that went into the reconstruction of a skeleton shattered almost beyond repair," he said in an e-mailed statement.

"It is so rare to get a more or less complete skeleton," said paleoanthropologist Andrew Hill of Yale University. "In the entire course of human evolution, at least until you get to Neanderthals, there are only three to four available. We can always tell so much more from a skeleton" than from the jawbones and skulls that are more commonly found.

The fossils described in the new studies were found 15 years ago in the Afar Triangle of Ethiopia by a team led by paleoanthropologist Tim White of UC Berkeley. But White and his team have been relatively closemouthed about the fossils, and other researchers -- some of whom have accused him of hoarding the fossils for his own use -- have been eagerly awaiting more information.

Today, they are getting a surfeit: Eleven papers by 47 authors, and a similar number of short summaries prepared by each paper's authors.

The fossils were found in a layer of sediment sandwiched between two layers of volcanic ash, each dating from 4.4 million years ago -- indicating that the fossils are also of that age.

In addition to the nearly complete fossil specimen of the female primate, which investigators have dubbed Ardi, the team found more than 100 fossils from 36 other members of the same species.

"These fossils are much more important than Lucy," the 3.2-million-year-old specimen of Australopithecus afarensis that was found in the Afar desert in the 1970s, said paleoanthropologist Alan Walker of Pennsylvania State University, who was not involved in the research. "The reason is that when Lucy was found, we already knew the major features of Australopithecus from fossils found in the 1940s. . . . These fossils are of a completely unknown creature, and are much stranger and more primitive than Australopithecus."

The White team also found fossils of 29 species of birds, primarily small ones like doves, lovebirds, mousebirds, passerines and swifts, as well as several that were previously unknown. Animal fossils included 20 new species of small mammals, including shrews, bats, rodents, hares and small carnivores, as well as larger animals, including baboons, colobus monkeys and spiral-horned antelopes.

Fossilized wood, seed and other plant remains indicate the presence of hackberry, fig and palm trees. Collectively, these finds indicate that the environment was more humid and cooler than it is today, and contained grassy woodland with forest patches.

Today, the Afar is a desert. But go back in a time machine and "4.4 million years ago, this was really a different world," White said. "We look up in the trees and we see that they are full of monkeys. We look around on the ground and we see that there are a lot of kudus. And we see an occasional hyena. And we see elephants and we see lots of small mammals. And we know what all of these . . . are because we have found evidence of them."

This whole collection of data "gives us information we have never had before about human evolution," said paleoanthropologist C. Owen Lovejoy of Kent State University, one of the primary authors of the papers. "The whole savanna theory goes out the window in terms of it being the explanation for upright walking. . . . And the idea that we evolved from something like a chimpanzee also goes out the window."

Ardi stood about 47 inches tall and probably weighed 110 pounds. Many researchers had previously believed that such an early ancestor would, like modern chimps, be a knuckle-walker, using the knuckles for support while moving on all fours. Instead, Ardi appears to have climbed on all fours on branches, but walked upright on the ground. Her feet, like those of monkeys but not chimps, were designed more for propulsion than for grasping.

Her face had a projecting muzzle, giving her an ape-like appearance, but many features of her skull, such as the ridge above the eye socket, are quite different than those of chimpanzees. Her brain is about the same size as Lucy's.

Her hands lacked many of the specializations that allow modern-day African apes to swing, hang and easily move through trees. Those specializations apparently evolved in large primates after they separated from the last common ancestor with humans more than 6 million years ago. (Few fossils of such primates are available because they lived primarily in forests, which are not conducive to preservation of bone.)

The finds "are turning evolution on its head," Lovejoy said.

The most controversial aspects of the papers involve the authors' -- particularly Lovejoy's -- interpretations of what the fossils say about behavior. Of particular importance, he said, is that the sizes of males and females were about the same, and that the specimens do not have large, sharp canine teeth. Both findings suggest that the fierce, often violent competition among males for females in heat that characterizes gorillas and chimpanzees was absent in Ardipithecus.

That implies, Lovejoy concluded, that the males were beginning to enter into monogamous relationships with females and devoted a greater proportion of their time to caring for their young than did earlier ancestors.

"This is a restatement of Owen Lovejoy's ideas going back almost three decades, which I found unpersuasive then and still do," Pilbeam said. Hill was more blunt, calling Lovejoy's speculation "patent nonsense."

Saturday, September 26, 2009

Mark Shapiro stars as the Scarecrow in Wizard of Oz..and so can you




click on far upper right hand corner for my pic to be in place

STAR IN THE WIZARD OF OZ



http://www.netflix.com/wizardofoz/ozyourself/index.html

You too can star in the Wizard of Oz by going to the site above and putting your face on the scarecrow and sing to Dorothy.

Thursday, September 24, 2009

WIZARD OF OZ...RESTORED VERSION


Numerous myths and legends have sprouted over the last seven decades regarding MGM's production No. 1060 -- better known as the beloved musical fantasy "The Wizard of Oz" -- like the tall tale that the studio wanted to cast Shirley Temple, not Judy Garland, as Dorothy.

"That's one of those legends that have gotten so blown up," says "Oz" historian John Fricke ("The Wizard of Oz: An Illustrated Companion to a Timeless Movie Classic"). "The Temple thing . . . never entered the 'maybe' stage.' "

"The Wizard of Oz," based on the L. Frank Baum children's classic, is celebrating its 70th birthday. Warner Bros. has done a beautiful new digital restoration that will be screened tonight in theaters around the country. On Tuesday, Warner Home Video is releasing a lavish collector's edition of this restoration in DVD and Blu-ray Hi-Def.
The magic doesn't dissipate," says Fricke. "I have been asked about how many times I have seen the movie, and it must be over 125 times. But I know 4-year-olds who have seen it more because they have seen it every day."

Dorothy, the Scarecrow (Ray Bolger), the Tin Man (Jack Haley), the Cowardly Lion (Bert Lahr), the Wizard (Frank Morgan) and Toto (Terry), says Fricke, "get to be your friends. . . . You want to go down the yellow brick road with Judy and those buddies of hers because they would take care of you."
The two things that made "The Wizard of Oz" a reality were the success in December 1937 of Walt Disney's first feature-length animated film, "Snow White and the Seven Dwarfs," which proved audiences were clamoring for musical fantasies, and Garland's hitting it big that year with her valentine to Clark Gable, the tune "Dear Mr. Gable."
tune "Dear Mr. Gable."

"Arthur Freed wanted to graduate from lyricist to producer and wanted to find a vehicle for Judy," says Fricke. "Mervyn LeRoy is the producer of credit on 'Wizard' . . . but the more one looks at any of the production paperwork that survives, so much of the film in terms of creative was Arthur Freed."

Even before MGM head Louis B. Mayer brought LeRoy over from Warner Bros. to replace the late producer Irving Thalberg, Freed had sought suggestions for casting, composers and other creative talent. Practically every actor he recommended is in the film. Bolger was originally cast as the Tin Man; Buddy Ebsen was the Scarecrow. Those roles were eventually switched, but Ebsen dropped out because he was allergic to the Tin Man's makeup.
Freed pushed for composers Harold Arlen and E.Y. Harburg, who were the perfect choice, creating such standards as "If I Only Had a Brain" and Oscar winner "Somewhere Over the Rainbow."
At first glance, Victor Fleming may have seemed an odd choice to direct a musical because of his reputation as a burly man's man. He directed such movies as "Red Dust" and "Captains Courageous." "Victor Fleming was not against the idea of doing 'Oz' because at that point he had become a father for a second time and he wanted to do 'Oz' in honor of his kids," says Fricke.


"Wizard," which was running behind in pre-production, had been a revolving door for directors. "Norman Taurog did some tests and then was taken off the picture. Richard Thorpe was on it for two weeks and was released," says Fricke. "George Cukor came in and changed the makeup and costumes for Judy, the Wicked Witch and Scarecrow."
Fleming was on the film for about four months, shooting all of the Technicolor sequences before he went off to direct "Gone With the Wind."

"King Vidor came in and shot on it for three weeks," says Fricke. "He shot virtually all of the Kansas scenes, and he did some Technicolor retakes."

When the film opened in August 1939, it was uniformly praised, save for the New Republic, the New Yorker and McCall's. "MGM trade-screened the movie on Aug. 9 in Los Angeles and New York, and the Hollywood Citizen News reported that critics were still crying when the lights went up," says Fricke.

The new digital restoration of "Oz" is as close as one can get to the experience of seeing the classic in theaters 70 years ago.
Warner Home Video had digitally restored the film for the 2005 DVD release using the original nitrate negative, which has been stored at the George Eastman House archive for years. “At that time we thought it was absolutely spectacular,” says George Feltenstein, senior vice president for theatrical catalog marketing.




But when it became time to do the high-definition Blu-ray version, “what we didn’t realize was that the technology had improved so dramatically in the interim four years, if we had used what we did for the prior transfer, it would have been OK, but it wouldn’t have been breathtaking. It would have been half-baked. Thankfully, the opinion of the company was that we have to do this full throttle the best it can possibly be.”
For this restoration, Warner was able to locate 1939 approved nitrate print that gave them a map as what the true colors of the film were. “In finding the 1939 nitrate Technicolor print, we got a different look for the film than we previously had,” says Ned Price, vice president of mastering at Warner Bros. Technicolor Operations.

“It had much more midrange colors,” says Price. “It was no so contrasty and you could see much more into the shadow detail. It was less primary color. It was more earth tones and the color didn’t pop as we had it made it previously. It was very colorful but not as colorful as the negative lead us to believe.”
Using a pin-registered Northlight film scanner, they were able to scan the three separate camera negatives at 8K, a much higher resolution than previously possible. “The information allowed us to get not only finer picture detail but much better grain capture."

The color correction computer package they used “is a much more powerful color correction tool,” says Price. “It can manipulate color much better and provides better color imagery.”

And for the first time, viewers can see more detail on Toto, the Wicked Witch’s hairy mole, the Tin Man’s rivet in the middle of his brow and Dorothy’s acne.

-- Susan King