Monday, October 29, 2012

THE WONDERFUL WIZARD OF OZ STORY ON PUBLISHING


The Wonderful Wizard of Oz is a children's novel written by L. Frank Baum and illustrated by W. W. Denslow. Originally published by the George M. Hill Company in Chicago on May 17, 1900, it has since been reprinted numerous times, most often under the name The Wizard of Oz, which is the name of both the 1902 stage play and the well-known 1939 film version, starring Judy Garland. The story chronicles the adventures of a young girl named Dorothy Gale in the Land of Oz, after being swept away from her Kansas farm home in a storm. Thanks in part to the 1939 MGM movie, it is one of the best-known stories in American popular culture and has been widely translated. Its initial success, and the success of the popular 1902 Broadway musical which Baum adapted from his original story, led to Baum's writing thirteen more Oz books. The original book has been in the public domain in the US since 1956.
Baum dedicated the book "to my good friend & comrade, My Wife", Maud Gage Baum. In January 1901, George M. Hill Company, the publisher, completed printing the first edition, which probably totaled around 35,000 copies. Records indicate that 21,000 copies were sold through 1900. Historians, economists and literary scholars have examined and developed possible political interpretations of The Wonderful Wizard of Oz; however, the majority of the reading public simply takes the story at face value.
Born on May 15, 1856, in a frame house in Chittenango, New York, Lyman Frank Baum was the seventh child of Cynthia Stanton and Benjamin Ward Baum, an affluent oil baron. Raised in Rose Lawn, the Baum country property on the outskirts of Syracuse, Baum had a sheltered upbringing. As a child, he was extremely bashful and was diagnosed with a deficient heart. Baum spent considerable time playing with his imaginary friends and reading books/ When he was 15 years old, he and Harry, a younger brother produced The Rose Lawn Home Journal. When he was 18 years old, Baum spent much time around local theaters and hoped to pursue acting. Though his father initially opposed his dream he later capitulated. Baum traveled through different states and worked at various jobs to support his acting career.
In 1882, Baum married Maud Gage, daughter of suffragist Matilda Joslyn Gage. His mother-in-law believed that Baum was idealistic and wrote in a letter that he was "a perfect baby". However, she urged him to put to paper the many tales he had related to his sons for many years. Maud Gage, a practical woman, served as a foil to Baum. She was consistent and wary of their finances, complementing her husband, an imaginative dreamer.
[Publication
The book was published by George M. Hill Company. Its first edition had a printing of 10,000 copies and was sold in advance of the publication date of September 1, 1900. On May 17, 1900 the first copy of the book came off the press; Baum assembled it by hand and presented it to his sister, Mary Louise Baum Brewster. The public saw the book for the first time at a book fair at the Palmer House in Chicago, July 5–20. The book's copyright was registered on August 1; full distribution followed in September. By October 1900, the first edition had already sold out and the second edition of 15,000 copies was nearly depleted.
In a letter to his brother Harry, Baum wrote that the book's publisher, George M. Hill, predicted a sale of about 250,000 copies. In spite of this favorable conjecture, Hill did not initially predict the book would be phenomenally successful. He agreed to publish the book only when the manager of the Grand Opera House, Fred R. Hamlin, committed to making The Wizard of Oz into a play to publicize the novel. After Hill's publishing company became bankrupt in 1901, Baum and Denslow agreed to have the Indianapolis-based Bobbs-Merrill Company resume publishing the novel.
Baum's son Harry Neal told the Chicago Tribune in 1944 that he told his children "whimsical stories before they became material for his books". Harry called his father the "swellest man I knew", a man who was able to give a decent reason as to why black birds cooked in a pie could afterwards get out and sing.
By 1938, over one million copies of the book had been printed. Less than two decades later, in 1956, the sales of his novel grew to 3 million copies in print.
The Wizard of Oz has been an inspiration for many fantasy novels and films. It has been translated or adapted into well over fifty languages, at times being modified in local variations. For instance, in some abridged Indian editions, the Tin Woodman was replaced with a snake. In Russia, a translation by Alexander Melentyevich Volkov produced five books, The Wizard of the Emerald City series, which became progressively distanced from the Baum version, as Ellie and her dog Totoshka travel throughout the Magic Land.
However, its fame has greatly increased mainly because of the many network telecasts of the 1939 film version of the book.
In 1967, The Seekers recorded "Emerald City", with lyrics about a visit there, set to the melody of Beethoven's "Ode to Joy".
In 1995, Gregory Maguire published Wicked: The Life and Times of the Wicked Witch of the West, a revisionist look at the land and characters of Oz. Instead of depicting Dorothy, the novel focuses on Elphaba, the future Wicked Witch of the West. The Independent characterized the novel as "an adult read reflecting on the nature of being an outcast, society's pressures to conform, and the effects of oppression and fascism". Universal Pictures, which bought the novel's rights, initially intended to make it into a film. Composer and lyricist Stephen Schwartz convinced the company to make the novel into a musical instead. Schwartz wrote Wicked's music and lyrics, and it premiered on Broadway in October 2003.
Many of these draw more directly on the 1939 MGM Technicolor film version of the novel, a now-classic of popular culture shown annually on American television from 1959 to 1991, and shown several times a year every year beginning in 1999.
The Wonderful Wizard of Oz received positive critical reviews upon release. In a September 1900 review, The New York Times praised the novel, writing that it would appeal to child readers and to younger children who could not read yet. The review also praised the illustrations for being a pleasant complement to the text.
In the first 50 years after The Wizard of Oz's publication in 1900, it received little critical analysis from scholars of children's literature. According to Ruth Berman of Science Fiction Studies, the lists of suggested reading published for juvenile readers never contained Baum's work. The lack of interest stemmed from the scholars' misgivings about fantasy, as well as to their belief that lengthy series had little literary merit.
It has repeatedly come under fire over the years. In 1957, the director of Detroit's libraries banned The Wizard of Oz for having "no value" for children of today, for supporting "negativism", and for bringing children's minds to a "cowardly level". Professor Russel B. Nye of Michigan State University countered that "if the message of the Oz books—love, kindness, and unselfishness make the world a better place—seems of no value today", then maybe the time is ripe for "reassess[ing] a good many other things besides the Detroit library's approved list of children's books".
Baum wrote The Wizard of Oz without any thought of a sequel. After reading the novel, thousands of children wrote letters to him, requesting that he craft another story about Oz. In 1904, he wrote and published the first sequel, The Marvelous Land of Oz, explaining that he grudgingly wrote the sequel to address the popular demand. Baum also wrote sequels in 1907, 1908, and 1909. In his 1911 The Emerald City of Oz, he wrote that he could not continue writing sequels because Ozland had lost contact with the rest of the world. The children refused to accept this story, so Baum, in 1913 and every year thereafter until his death in May 1919, wrote an Oz book. The Chicago Tribune's Russell MacFall wrote that Baum explained the purpose of his novels in a note he penned to his sister, Mary Louise Brewster, in a copy of Mother Goose in Prose (1897), his first book. He wrote, "To please a child is a sweet and a lovely thing that warms one's heart and brings its own reward."
The exceptional success of The Wonderful Wizard of Oz resulted in the creation of many sequels. Baum wrote thirteen sequels to the novel. After he died in 1919, Baum's publishers delegated the creation of more sequels to Ruth Plumly Thompson who wrote 21. An original Oz book was published every Christmas between 1913 and 1942. By 1956, five million copies of the Oz books had been published in the English language, while hundreds of thousands had been published in eight foreign languages.
Adaptations
The Wizard of Oz has been adapted to other media numerous times, most famously in the MGM's 1939 film starring Judy Garland. Prior to this version, the book had inspired a number of now-less-well-known stage and screen adaptations, including a profitable Broadway musical and three silent films. The 1939 film was considered innovative because of its songs, special effects, and revolutionary use of the new Technicolor.
The story has been translated into other languages (at least once without permission), and adapted into comics several times. Following the lapse of the original copyright, the characters have been adapted and reused in spin-offs, unofficial sequels, and reinterpretations, some of which have been controversial in their treatment of Baum's characters.


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