http://www.youtube.com/watch?v=fUxR965b4LU&feature=related
part one of blazing saddles above
http://www.youtube.com/watch?v=0NtKKKX7b64&feature=related
part two above
http://www.youtube.com/watch?v=-G-GkRNJ8b8
part three
http://www.youtube.com/watch?v=epe37KJP7jc&feature=related
part four above
http://www.youtube.com/watch?v=gMrpuePMYvw&feature=related
part five above
http://www.youtube.com/watch?v=moIs5Tzz98A&feature=related
part six above
http://www.youtube.com/watch?v=eXGHBL0w8Fo&feature=related
part seven above
http://www.youtube.com/watch?v=j9P8evrOtnk&feature=related
part eight above
http://www.youtube.com/watch?v=6DAziSni2VA&feature=related
part nine above
http://www.youtube.com/watch?v=EBSjg5bV4cM&feature=related
part ten above
Blazing Saddles
Theatrical release poster by John Alvin[1]
Directed by Mel Brooks
Produced by Michael Hertzberg
Screenplay by Mel Brooks
Norman Steinberg
Andrew Bergman
Richard Pryor
Al Uger
Story by Andrew Bergman
Starring Cleavon Little
Gene Wilder
Harvey Korman
Slim Pickens
Madeline Kahn
Mel Brooks
Dom DeLuise
Music by Mel Brooks (songs)
John Morris (score)
Cinematography Joseph F. Biroc
Editing by Danford B. Greene
John C. Howard
Distributed by Warner Bros.
Release date(s) February 7, 1974 (1974-02-07)
Running time 93 minutes
Country United States
Language English
Budget $2.6 million
Gross revenue $119.5 million
Blazing Saddles is a 1974 satirical Western comedy film directed by Mel Brooks. Starring Cleavon Little and Gene Wilder, the film was written by Brooks, Andrew Bergman, Richard Pryor, Norman Steinberg, and Al Uger, and was based on Bergman's story and draft.[2] The movie was nominated for three Academy Awards, and is ranked No. 6 on AFI's 100 Years... 100 Laughs list.
Brooks appears in multiple supporting roles, including Governor William J. Le Petomane, a Yiddish-speaking Indian chief and Adolf Hitler. The supporting cast also includes Slim Pickens, Alex Karras, David Huddleston, as well as Brooks regulars Dom DeLuise, Madeline Kahn, and Harvey Korman. Bandleader Count Basie has a cameo as himself.
The film satirizes the racism obscured by myth-making Hollywood accounts of the American West, with the hero being a black sheriff in a mostly white town. The film is full of deliberate anachronisms, from a jazz band in the Wild West to a rustler referring to the Wide World of Sports to Nazis and camels
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